中国戏曲的艺术特点论文范文英语翻译

京剧是中国的国粹之一，其早期源于安徽的徽班进京，中国的戏曲无论是京剧还是其他戏剧都有以下几个特点，我自己总结的：首先是虚拟性，不同于国外的戏曲戏剧，中国的戏剧没有写实的布景和灯光，所有的场景环境的变换都是由台上的角色的动作从而表达出来。其实是程式化，这个程式化是指中国的戏曲的唱念做打以及生旦净末丑。这些都是有着很具体的要求，比如一个帝王将相出场时候应该如何亮相，如何下场，花旦的贴片等。这就注定了中国戏曲人物的造型和动作设计的程式化，而这一点又恰恰成就了京剧的最大特点。是其他戏剧所没有的。这两点即是京剧的特点也是中国戏剧的特点，在往细节的说就是在唱腔啊台本上以及具体动作上的特点，我想你写英文作文应该不用那么细，如果你要我用英文帮你写，我实在是不知道如何翻译！

Beijing opera or Peking opera (simplified Chinese: 京剧; traditional Chinese: 京剧; pinyin: Jīngjù) is a form of traditional Chinese theatre which combines music， vocal performance， mime， dance and It arose in the late 18th century and became fully developed and recognized by the mid-19th [1] The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of C[2] Major performance troupes are based in Beijing and Tianjin in the north， and Shanghai in the [3] The art form is also enjoyed in Taiwan， where it is known as Guoju (国剧; pinyin: Guójù) It has also spread to other countries such as the United States and J[4]Beijing opera features four main types of Performing troupes often have several of each variety， as well as numerous secondary and tertiary With their elaborate and colorful costumes， performers are the only focal points on Beijing opera's characteristically sparse They utilize the skills of speech， song， dance， and combat in movements that are symbolic and suggestive， rather than Above all else， the skill of performers is evaluated according to the beauty of their Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the [5] The layers of meaning within each movement must be expressed in time with The music of Beijing opera can be divided into the Xipi and Erhuang Melodies include arias， fixed-tune melodies， and percussion [6] The repertoire of Beijing opera includes over 1，400 works， which are based on Chinese history， folklore， and， increasingly， contemporary [7]In recent years， Beijing opera has attempted numerous reforms in response to sagging audience These reforms， which include improving performance quality， adapting new performance elements， and performing new and original plays， have met with mixed Some Western works have been adopted as new plays， but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century来自_opera这个网站很好，你以后想了解其他的东西的英文解释都可以来查。我也刚从初三毕业，英语还不错，推荐你常上这个网站，很有帮助

如下：Peking Opera， once called pingju， is one of the five major operas in C（京剧，曾称平剧，中国五大戏曲剧种之一。）The scene layout pays attention to freehand brushwork， tone to xipi， erhuang mainly， with the accompaniment of huqin and gongs and （场景布置注重写意，腔调以西皮、二黄为主，用胡琴和锣鼓等伴奏。）Regarded as the quintessence of Chinese culture， Chinese opera tops the （被视为中国国粹，中国戏曲三鼎甲“榜首”。）Peking Opera travels all over the world， with Beijing as the center and throughout C（京剧走遍世界各地，分布地以北京为中心，遍及中国。）It has become an important medium to introduce and spread traditional Chinese art and （成为介绍、传播中国传统艺术文化的重要媒介。）On November 16， 2010， Beijing Opera was listed in the representative list of world intangible cultural （在2010年11月16日，京剧被列入“世界非物质文化遗产代表作名录”。）

中国戏曲的艺术特点论文范文英语

(1)综合性中国戏曲是一种高度综合的民族艺术。这种综合性不仅表现在它融汇各个艺术门类(诸如舞蹈，杂技等)，而且还体现在它精湛深厚的表演艺术上。各种不同的艺术因素与表演艺术紧密结合，通过演员的表演实现戏曲的全部功能。(2)虚拟性虚拟性是戏曲反映生活的基本手法。它是指以演员的表演，用一种变形的方式来比拟现实环境或对象，借以表现生活。中国戏曲的虚拟性首先表现为对舞台时间和空间处理的灵活性方面，所谓“三五步行遍天下，六七人百万雄兵”“顷刻间千秋事业，方丈地万里江山”，这就突破了西方歌剧的“三一律”与“第四堵墙”的局限。其次是在具体的舞台气氛调度和演员对某些生活动作的模拟方面，诸如刮风下雨，穿针引线，等等，更集中、更鲜明地体现出戏曲虚拟性特色。戏曲脸谱也是一种虚拟方式。中国戏曲的虚拟性，既是戏曲舞台简陋、舞美技术落后的局限性带来的结果，也是而且主要是追求神似、以形写神的民族传统美学思想积淀的产物。这是一种美的创造。它极大地解放了作家、舞台艺术家的创造力和观众的艺术想象力，从而使戏曲的审美价值获得了极大的提高。(3)程式性程式是戏曲反映生活的表现形式。它是指对生活动作的规范化、舞蹈化表演并被重复使用。程式直接或间接来源于生活，但它又是按照一定的规范对生活经过提炼、概括、美化而形成的。此中凝聚着古往今来艺术家们的心血，它又成为新一代演员进行艺术再创造的起点，因而戏曲表演艺术才得以代代相传。优秀的艺术家能够突破程式的某些局限，创造出自己具有个性化的规范艺术。程式是一种美的典范。

I am a film fan because I have seen a lot of Also I love many Several days ago， I saw an American movie and I love her Her name is IF ONLY It is a love story about a pretty girl and a handsome Samantha is in love with her boyfriend， unfortunately he doesn't pay any attention to She is living in London attending school there to be with She is a music student and aspiring Ian is wrapped up in his job and is taking her "for Granted" A twist of fate occurs and makes him realize what he The story is perfect，I was touched I think I am the man in the film and I will do what the girl The scence is beautiful in the I love the country，also I love the two wonderful song in the I recommend this film to anyone who is a film fan， or to anyone who is a romantic at This one will get your Director did a perfect job and writer is a I look forward to any projects they take on in the

中国戏曲的艺术特点论文范文英语版

CHINESE OPERAChinese Operas were based on old tales of heroes and the Today the stories often deal with heroes of the communist revolution or with great historical events of the recent The variety of Chinese Opera known as Beijing Opera is the most familiar in the It was developed in the 19th century as a synthesis of earlier provincial Beijing Opera， which is also known as Peking Opera， has existed for over 200 It is widely regarded as the highest expression of the Chinese It is perhaps the most refined form of opera in the Although it is called Beijing Opera its origins are not in Beijing but in the provinces of Anhui and H It was originally staged for the royal family and was introduced to the public Beijing opera was regarded to as one of the rare forms of There are thousands of opera pieces covering the entire history and literature of CThe development of the art of painting faces is closely related to that of dramatic art， although the earliest painted faces， or their precursors appeared long before Chinese drama took As Chinese dramatic art developed， the drawbacks of wearing masks became increasingly evident， for masks prevented the actors from showing their facial A vividly painted face however enables audiences to see expressions In the beginning only three sharply contrasting colours - red， white and black were generally used in facial make The earliest painted faces were simple and crude but within time the designs became more elaborate and 下面的链接还有各种花脸的介绍：

The Chinese opera is a traditional form of stage entertainment， weaving together elements of mime， dance， song， dialogue， swordplay， and acrobatics into one fluid continuous Gestures， movements and expressions incorporated within each performer's script come together to bring forth an impressive In contrast to Western stage entertainment， which is subdivided into different categories such as opera， drama and sketches， Chinese opera has remained faithful to its original format over the Although sharing a common ancestry， Chinese opera boasts over 300 various distinct forms - taking their names from their places of These forms are generally discernible by their use of local dialects and distinct 'melodies' Beijing opera is considered by most to be the most Also widespread are Pingju Opera， Kunqu Opera， Shaoxing Opera， Henan Opera， Sichuan Opera， Shanxi Opera， Huangmei Opera， Huagu Opera and Yangko O Some Chinese ethnic minority groups have some local form of 以下是网上翻译的第一段，供你参考吧。La ópera china es una forma tradicional de entretenimiento del teatro， tejiendo los elementos juntos de mimo， del baile， de la canción， del diálogo， de la esgrima， y de la acrobacia en un flujo continuo lí Los gestos， los movimientos y las expresiones incorporados dentro de cada escritura de artista se reúnen dar a luz un desempeño Por contraste al entretenimiento del teatro Occidental， que se subdivide en categorías diferentes tales como la ópera， el drama y los dibujos， la ópera china se ha quedado fiel a su formato original sobre los

中国戏曲的艺术特点论文范文英语作文

京剧又称京戏，在台湾又称平剧、国剧，是中国戏曲曲种之一。以北京为中心分布，遍布全国。京剧是十九世纪中期，融合了徽剧和汉剧，并吸收了秦腔、昆曲、梆子、弋阳腔等艺术的优点，在北京形成的。京剧形成后在清朝宫廷内得到了空前的繁荣。京剧的腔调以西皮和二黄为主，主要用胡琴和锣鼓等伴奏，被视为中国国粹。京剧于2010年，获选进入人类非物质文化遗产代表作名录。

中国戏曲的艺术特点论文范文大全

戏曲的特点；戏曲是一门综合艺术，是时间艺术和空间艺术的综合，这种综合性是世界各国戏剧文化所共有的，而中国戏曲的综合性特别强。中国戏曲是以唱、念、做、打的综合表演为中心的戏剧形式，它有丰富的艺术表现手段，它与表演艺术紧密结合的综合性，使中国戏曲富有特殊的魅力。它把曲词、音乐、美术、表演的美熔铸为一，用节奏统驭在一个戏里，达到和谐的统一，充分调动了各种艺术手段的感染力，形成中国独有的节奏鲜明的表演艺术。中国戏曲中最重要的一点特徵是虚拟性。舞台艺术不是单纯模仿生活，而是对生活原形进行选择、提炼、夸张和美化，把观众直接带入艺术的殿堂。中国戏曲另一个艺术特徵，是它的程式性，如关门、上马、坐船等，都有一套固定的程式。程式在戏曲中既有规范性又有灵活性，所以戏曲艺术被恰当地称为有规则的自由动作。综合性、虚拟性、程式性，是中国戏曲的主要艺术特徵。这些特徵，凝聚着中国传统文化的美学思想精髓，构成了独特的戏剧观，使中国戏曲在世界戏曲文化的大舞台上闪耀着它的独特的艺术光辉。

南戏在艺术上虽然还是比较粗糙，但它已奠定了中国戏曲的基本特点。首先综合歌唱、念白和动作等表现手段，去表演一个完整的故事，故事的叙说在剧作中占有重要地位，且总要有头有尾，因果分明。根据内容的需要，结构是弹性的，可以自由伸缩，长的可达五六十出，短的只有二三十出，这为戏剧反映广阔复杂的社会生活提供了方便。戏曲的曲调，主要取材于民间音乐，像民歌、词曲歌体、诸宫调等音乐成分，均被广泛吸收。宫调音律不拘一格，民间词曲、新兴的村坊小调，只要相互协调，便可联缀起来。演出时，各行角色都可以唱，其演唱形式亦丰富多样，有独唱、对唱、齐唱等。念白既有韵文式的朗诵，也有口语化的散白，它与歌唱相互搭配，彼此穿插，形成唱念结合的音乐架构。演员的形体动作，被称为“科”、“介”。科介，即为模拟生活的虚拟表演。比如南戏《琵琶记》中，赵五娘去义仓请粮，久久未归。蔡公在家凝望，与她见面时，“外跌介。旦扶。外虚打旦介”。这段舞台表演提示就是说，蔡公因年迈不慎跌倒，赵五娘连忙搀扶，却遭公公责打。这其中的“虚”字，即指动作的虚拟。南戏的科介，还吸取了民间舞蹈动作，使戏剧性的舞台动作舞蹈化了。在南戏的舞台上，是以7个角色来分别饰演剧中的所有人物，其中扮演男、女主人公的，称为生、旦，还有源于“参军”、“苍鹘”的净、末（亦即副净、副末），他们与民间歌舞戏中的丑一起，合成一组滑稽角色，这就是南戏的5个主要角色。它们奠定了中国戏曲艺术以生、旦、净、末、丑组成的角色阵容与行当格局。“外”是牛角之外又一生角，“贴”是旦角之外再贴一旦角。全剧围绕生、旦展开故事，以此构成情节的主干，内容往往比较严肃，他们的表演也相应地具有正剧的色彩。这与“务在滑稽调笑”的前代演出相比，艺术上的进步是非常明显的。当然，净、末、丑的插科打诨，对愉悦观众、调节气氛也是相当重要的。南戏对戏剧演出的假定性原则不但做了肯定，而已进行了运用。一部大型戏剧，常常需要表现许多不同的地点和较长的时间，这个需要自然与简陋的舞台条件发生矛盾，也与舞台自身的表现能力发生矛盾。南戏的艺人便充分发挥丰富的想象力，通过自己的表演，来表现灵活流动的舞台时间和空间。比如《张协状元》中，张协一行离京赴任，跋山涉水，这时，演员只是轮唱四支曲子，“不觉过了一里又一里”，便从京城到了五鸡山。总之，自从戏曲成熟之始，无论演员还是观众，就不求逼真地模仿生活，他们相信：戏就是戏。