论文化差异对解读英汉广告的影响

西方的比较直接，东方的比较含蓄参考_aspx-12/htm

比如，巴西人带着绿色的帽子（他们国旗的主色）跳舞，你国内策划一群男的也带着绿色的帽子跳舞，能行吗？

文化差异对阅读理解的影响论文

四川话属于巴蜀文化的范畴，云贵川渝，鄂（部分）湘（部分）陇（部分）等地其实话语发音很近似，区别于北方方言，江浙方言，两广方言等独树一格，但是就学习其他国家语言来说个人认为四川话也是汉语系的组成部分，因为汉语是一种发音很全面的语言，所以在学习其他语言的时候（个人觉得）比其他语言学习别的语言要方便的多，很难有发音方面的困难！欧洲主要三大语系，日耳曼语系（法语，德语，意大利语，英语），拉丁语系（葡萄牙语，西班牙语），斯拉夫语系（俄语，波兰语等等），相对最严谨的是日耳曼语系，就日耳曼语系的词汇量来说（兼收并蓄了其他几个语系的优点），所以国际协议一般用法语（一个词语很少有其他意思）或者德语签署，没有用英文（一词语多种意思）的！但是以法语为例他的破擦音和鼻音较多，还有卷舌音，学起来较英语较难！但是有了好的音乐基础学日耳曼语系就方便多。日语和朝鲜语（国际上不说韩语）从文字上可以说是汉语系，但是两者和汉语的不同在于，他们没有汉语发音那样全面，闭口音很多，被称为黏着语，就日语来说，他的很多词语发音听起来和含糊的说汉语一样，比如了解，吃饭等等听起来和汉语差不多（和江浙一点语言相似处更多），但是听起来有点ZHI，CHI，SHI分不清的意思，他的词语主要是三部分，汉语部分（和汉语相似的地方），英语部分（比如望远镜，巧克力等名词完全采用英文的发音，只是因为本来日语黏着，所以听起来没有英语舒畅，着也是大家觉得日本人说英语没中国人和韩国人好的缘故），自己日语的部分三个部分组成，朝鲜语不太了解，只知道也是黏着语，因为朝鲜半岛有半岛文化，日本完全是岛国文化，语言都黏着，但是也有区别，但是日语学的好学韩语也方便，顺便说韩国人学中国话和英语都比日本强，因为不喜欢韩国这个邻居，所以了解不深，而且注意一下，中国周边很多国家都是黏着语，尤其是东亚和东南亚的邻国（比如泰国，越南等也是黏着语），个人随便分析，不对莫笑！

这个论题。。。在各种杂志，如《中国翻译》和学报中都有分述，这种的比较严肃和学术范当然还有书，《文化差异与翻译》但这种书的内容学术性比较强，如果不是翻译专业或者写论文，看起来有点乏味。简单而言，文化（宗教）的差异会造成对同一现象的不同理解和描述，如果转换不当的话，那就起不到翻译的沟通作用了，有时可以还会适得其反，所以这个问题到了一定的深度后，确实应引起重视。

Western novels in comparison First， Western novels in the history of the development of Western novels are based on myths and legends of its In ancient times， science developed， out of fear of nature， the working people out of the imagination is the key to many of the world "God"， describing the personification of God is a myth; who will describe the deified， that is China opened the world's Pan story， the story of San Juan Five Emperors， the West Greek mythology， Roman mythology， Norse mythology， and so on are all typical East and West， the original novel， is closely linked with the history， as historical records complement the China Pre-Qin prose in the fable， the Han dynasty in the history books， biographies， the Wei and Jin Zhi， Zhi-person novel; the West of ancient Babylon， "the United States and Ji Jia disabilities epic"， in ancient Greece， "Homer's epic，" "Aesop's Fables "And so on， fall into this category， fiction， novels such novels have been about the characteristics of fiction， it is still not the literary creation， directly from the private collection record， so this type of fiction plot is relatively simple， writing rough Ban Gu said， "On the Street Lane words， hearsay are made of" is a novel kind of accurate assessment of the China's Tang Dynasty， the novel is only from history and literature become a Tang Dynasty culture has developed， the author's ideas are more open， the legend came into being at this time， Li Zhaowei "Liu Yi Chuan"， Po Chu's "Everlasting Regret，" Wolf's "Everlasting Regret Chuan" And so on， are made in accordance with the creation of the For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent， not just the history of the nature of things， but as the history of Zhi Zhi who is also the novel did not The Legend of the Song Dynasty to the novel on a gradual decline， which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms"， "Outlaws of the Marsh"， "Journey to the W" The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known， there are obvious story-telling style of Here by the redevelopment， it will become an independent literary creation rather than things to come together with the civil process， the representative of this type is the "Golden Lotus"， it was an open and ordinary life on the road， the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the "54" after the novelist began to learn from China's western fiction writing practices， and gradually out a new Western novels， is the "Renaissance" after the rapid development of The development of the Middle Ages novel near-stagnation in the West， 14， the end of the century "Renaissance" to overthrow the literature of the Church of control， 15， appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels， is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main Jiaqiu Italy's "Decameron"， Spain's Cervantes "Don Quixote" is the kind of representative works of The resulting novel is a classical， elegant favor of its national language to standardize the writing of this novel in 17th century France's most well- As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially The beginning of the 18th century to promote popular science knowledge， enlightenment of the public consciousness for the purpose of the Enlightenment novels， of which there are relatively well-known German Goethe's "Faust"， the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on， this type of novel to the emergence of the bourgeois revolution at the time to mold public In the 19th century， romantic fiction， realistic novels and critical realism novel turn to occupy the leading position in the field of Romantic novels， such as France Victor Hugo's "Notre Dame de Paris"， Goethe's "juvenile Witt of trouble" and so on， imaginative， unusual ideas， language and imaginative， strong Efforts to reflect the reality of the novel is the essence of life， and depict typical life of a typical phenomenon in the United Kingdom Dickens， France and Germany are of such novels as a representative of the Critical realism novels exposed the efforts of the decadent feudal system and capitalist society， the dark， in-depth criticism of the reality of evil， France Balzac and Maupassant， the United Kingdom of Charlotte， Bronte， Russia's Tolstoy， Dostoevsky， the United States of a large number of writers such as Mark Twain's works belong to this Value today， the three novels in the West is still the most important of the three types of literary East-West novel on the history of the development of more or less the Second， the characteristics of the novel in the West In addition to the basic characteristics of the novel， the story of the West also have their own characteristics are as follows: 1， the traditional Chinese novel attention to the characters， language and the details of the description， in contradiction to the conflict to display the images， but the character of a single， small changes in the absence of the main Western novels are more people pay attention to the psychological description， stressed that mining figure in the subconscious mind， good at writing full， the changes in the strong sense of the main Again， "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts， but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent， and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character， but Jane Eyre's character is the brave， strong， warm， kind-hearted， and so many of the character and rubbing and Cheng' In short， people in the area described in the West has its own unique 2， China compared with Western fiction novel plot twists and turns more and more complete Plot twists and turns， the story is complete fiction China's unique traditional The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid Tang legend in the layout of many of the famous， magnificent anomaly， rigorous and clever， dramatic plot The contents of the Ming and Qing Dynasties novels scattered irregular， undulating waves， Cuoluoyouzhi， careful structure， an integral "A Dream of Red Mansions"， everywhere She Fu， Hui turning point， the story of Jia's best Western plot in respect of the outstanding works， although there are many， but it can not be compared with the Chinese 3， concise and lively Chinese language novel， rich in content and rich Western Chinese folk artists absorbed the novel language， at the same time inherited the fine traditions of ancient prose， often a few words will be able to outline the incident or the Western novels in the author includes a broad range of knowledge， involve the community in many ways， so rich in content and rich people can gain knowledge in many Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are Western novels have different characteristics， and also in the West different aesthetic concepts to a certain extent 4， Western novels have been the rule of the feudal culture of oppression Chinese feudal culture makes the development of the novel is extremely difficult， Ming and Qing Dynasties more people to write stories for shame， so many great writers living， creating the conditions are not covered， many of the great works of authors who do not Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow， and many talented writers were forced to church services， wrote some of the religious nature of the article dry Third， Western novels in the future prospects for the development of End of the Qing Dynasty， China and the West have begun to understand the other side of the system， the advantages of the novel in the West have been constantly learn from each Of course， due to historical reasons， the Chinese side of the draw a little To this day， the novelist in the West efforts are still two researchers in the novel's artistic charm， although the different languages of each other's appreciation of the arts to a certain extent， but the United States are We have every reason to believe that in the near future， the novel art in the West will ultimately learn from each other and integrate， develop and reach new artistic References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election，" Zhang Zhong， such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考，请自借鉴。希望对您有帮助。

Literature review on the influence of cultural differences on English Listening重点词汇释义中外China and foreign countries; at home and abroad文化差异cultural difference英语听力English listening comprehension文献literature; document综述summarize; round up; sum up

文化差异对英汉口译的影响论文

英汉文化差异对翻译的影响论文

不同地区的文化有不同差异对要翻译的话句也会有不同的理解就像用中文讲一个笑话很好笑但是翻译成别的语言完全不知道笑点在哪···呃是这个意思吧··

我可以帮你，我很熟这块。私信我

The influence of cultural differences on translation and

论文化差异对英汉翻译的影响与对策

翻译之所以困难，是因为语言反映文化，承载着丰厚的文化内涵，并受文化的制约。一旦语言进入交际，便存在对文化内涵的理解和表达问题。这就要求译者不但要有双语能力，而且还有双文化乃至多文化的知识，特别是要对两种语言的民族心理意识、文化形成过程、历史习俗传统、宗教文化以及地域风貌特性等一系列互变因素均有一定的了解。正是以上这些互变因素，英汉民族的语言文化体现出各自特有的民族色彩。

在各种杂志，如《中国翻译》和学报中都有分述，这种的比较严肃和学术范当然还有书，《文化差异与翻译》但这种书的内容学术性比较强，如果不是翻译专业或者写论文，看起来有点乏味。简单而言，文化（宗教）的差异会造成对同一现象的不同理解和描述，如果转换不当的话，那就起不到翻译的沟通作用了，有时可以还会适得其反，所以这个问题到了一定的深度后，确实应引起重视。

一、文化差异产生的原因及其对英汉翻译的影响由于不同国家在地理位置、社会制度、历史背景、以及思考模式等方面的不同，其文化之间也必然会产生差异。这些文化差异主要存在于风俗习惯、行为方式、和语言特点等方面。语言是文化的载体，也是文化的必要组成部分，所以语言在很大程度上要受到不同国家文化差异的影响。而翻译作为两个国家间交流的重要方式，主要是依靠两国间语言的转换完成的。因此，不同语言间的文化差异在很大程度上会影响到翻译活动。在中英翻译过程中，人们普遍认为文化差异因素对翻译的影响是很难避免的。译者必须认识到翻译并不仅仅是两种语言之间的相互转换，翻译还是两种文化信息之间的相互转换。译者在翻译过程中必须把两种语言背后的文化差异因素纳入考虑中。如果译者完全不顾及两种语言间的文化差异因素，那么译文读者在接受译作的过程中必定会遇到这样或那样的困难，译者也很难将原作的信息完整准确地传递给译文读者。二、归化和异化施莱尔马赫在《论翻译的方法》中指出：“翻译可以有两种不同途径，一是尽可能地不扰乱原作者的安宁，让读者去接近作者；二是尽可能地不扰乱读者的安宁，让作者去接近读者。”韦努蒂在此基础上提出了规划法（domestication）和异化法（foreignization）。韦努蒂提出的归化法翻译原则是站在以英语为目的语（译入语）的立场上的，也就是说要“归化”到英语中来。归化法就是译者以目的语为依据，尽量减少译文中的异国情调，为译文读者提供一种自然流畅的译文。即，尽量不让译文读者感受到译者的存在，像是在读本国作者用本国语言所写的作品一样。异化翻译原则强调译者尽可能地不扰乱原作者的安宁，让读者去接近作者。与归化翻译原则相反，异化翻译原则要求译者要主动接受外语表达习惯和特点，并主动吸收外语表达的特殊方式。译者必须以原文为依据，不得擅自改变原作者的意图，要做原作者的“仆人”。异化翻译原则充分考虑到翻译过程中的文化差异因素，并使译作尽量保留原作中的异域风情及不同的风俗习惯，把“最真实”的异国文化展现给译文读者。韦努蒂认为，异化翻译原则可以“保留原作的语言和文化差异，并将读者送到异国。”如果译者在翻译过程中采用异化翻译原则，译文读者将能够充分感受到异国文化和语言的魅力与不同。随着经济、政治、文化、资源、科技教育的全球化进程不断发展，整个世界的一体化进程也在不断加速。不同文化、不同国家的人民之间对彼此的文化了解进一步加深。因此，译者应当相信在文化全球化日益加深条件下的译文读者有能力去了解异国的风俗与文化。上文中已经提到，翻译是不同文化间进行交流的重要手段。因此，译者的在翻译中的任务就不仅仅是将作品从一种语言转换到另一种语言，他还担负着将异域习俗与文化展现给译文读者的任务。而这种传播将在很大程度上丰富并完善译入语，同时也会增强译出语的影响与生命力。三、影响归化和异化使用的因素郭建中认为，“如果考虑到作者的意图、文本的类型、翻译的目的和读者的要求者四个可变因素，归化和异化均有其存在和应用的价值。”一般来说，如果译者希望为译文读者介绍更多的异国风俗与文化，而且译文读者也更愿意学习和欣赏外国文化，那么译者就应当采用异化的翻译原则。但如果译者更希望取悦译文读者，使译作更加易读、易懂，而且译文读者阅读译作也只是为了娱乐，那么译者就应当采用归化的翻译原则。